This weekend, I spent time outside with my viola plant. I captured some sketches in my sketchbook and then went on to do a vellum study. I struggled on the paper as well as the vellum trying to get a smooth transition between the shades of purples and periwinkles and different yellows! Lots of mixing going on. I recognize the importance of a transparent palette when working on vellum. The Daniel Smith dot card is a great guide right now as I consider which pigments to eliminate in my palette as I try to create one that is transparent. My new favourite Daniels Smith Colour is Rose of Ultramarine! Here is the completed vellum study.
Wednesday, September 30, 2015
Fall is a great time for changes!! My beautiful Pagoda Dogwood tree is giving me gifts of vibrant leaves every day! As I go outside, I find that I just want to pick up every one of them and bring them in to paint. Seriously...my kitchen counter has an "area" filled with acorns, conker chestnuts, leaves, bittersweet berries and maple keys! Usually I am not a fan of autumn because winter follows so closely and leaves us with grey skies for so long! But I feel like a squirrel storing up painting studies to get me through the winter!
As I painted outside. I was surrounded by so many bluejays! I keep their peanut feeder filled and they keep me entertained. I wanted to capture one of the young bluejays in a Victorian meets Medieval setting. The sketch and the foliate work were painted in the evening.
Thursday, September 24, 2015
I have been on this butterfly journey since early August. They are incredibly detailed to paint but I am finding that I love attempting the detail. I combined dry brush vellum painting techniques on this Peacock Butterfly. I was working from photographs for this subject rather than a specimen and I noticed a difference in how I could see the detail.
Thursday, September 17, 2015
Busy fall for sure. Mulitple teaching trips and many workshops on the go. But I am loving this diversion into the natural world to study painting on vellum. My butterfly class took a little detour as we looked at other insects. Meet Chrysochroa Buqueti Rugicolis.
Friday, August 28, 2015
I have learned that what I have not drawn, I have never really seen... (Frederick Franck) I am in my third week of a month long study in Butterfly drawing and painting. What a challenge. It has stretched me into an area beyond what I could have imagined. It is has changed how I take my walk in the morning. I look around at everything. Looking to see how the light reflects on leaves, trees and flowers. I stopped my walk to pick up a dead butterfly and successfuly rehydrated her and added her to my collection! I spent a morning chasing butterflies and bees and bright insects with my camera hoping to get a perfect image.
Thursday, August 20, 2015
I am currenlty enrolled in a 4 week butterfly illustration class. I started out working with photos but it became clear to me very quickly that I needed a specimen to really study. I took a trip to the butterfly conservatory to purchase a specimen but found that I would have to take the mount apart to really study it. I turned to Thorne's Insect Shoppe online. Wow!!!!!!!!!!! The real challenge was not buying too much. Bearing in mind that I only need one butterfly to study for this class, I purchaesd 11 butterflies!!!! Some from Africa, India, South America and North America. If I had stayed on that website any longer, I would have bought several more. I thought that would take care of the specimen problem until I realized that the butterflies I ordered had come dehydrated and would require hydration! Thanks to youtube, there are several tutorials about how to hydrate the butterflies, which I did over the past 24 hours. My next learning curve to face was the fact that the butterflies don't immediately spring back into their open wing form once hydrated!!!! They need to be spread out and pinned into place!!! I don't have a high tolerance for bugs even when they are this pretty! This evening, Chris made me some foamboard butterfly spreading boards where I could pin the specimens into place. It was easier than I thought. Only one of the specimens has a slight tear in the wing. I will have to wait another 24 to 48 hours for these to dry out again. Then the process of illustration can begin for me. I will need to study the front side and underside of the wings. No matter how the drawings and paintings turned out, I have already learned so much! I can see each little face on the the butterfly, really observe their scales and vein structure. I am captivated at this point and will hopefully get some good drawings to share with you!
Wednesday, August 19, 2015
August has been a strange month for me. Lots of work to sort through as I prepare for my busiest fall teaching line up I have had yet. I will be traveling to multiple guilds teaching the Enchanted Letter, English Roundhand, The Artful Flourish and finally Italian Hand. The gears switch slowly between Italian Hand and English Roundhand. Italian Hand has definitely become my default setting and I find that I want to retouch all my letters with Italian Hand shading!!! As I prepare for this workload, I took some time out to study. I will update you shortly with the outcome of a 4 week analytical study that is pushing my brain to the limit! I am not used to drawing things with mathematical precision but have found this to be a wonderful exercise for me! Results soon! But I wanted to show you these new brushes. They are from Rosemary and Co. I am very impressed with them. Love how they respond to my hand. Might just have to get one of each. You can find them online. More soon!
Friday, August 14, 2015
I have never been so convinced of the power of the written word! This week, I received many beautiful letters. They all came for various reasons and with different messages but all of them brought a blessing to me. Reading them this time, I could hear the voices of my friends. I was so thankful that they took the time to put their thoughts down on paper for me. One of them came with little illustrations in it! Reminded me of the correspondence between John Ruskin and Kate Greenaway. Little illustrations often adorned their letters.
Saturday, August 8, 2015
I made a very impulsive purchase at IAMPETH this year. I am the proud owner of Pilot Custom 912 Fountain Pen. The nib has been modified by pen genius Greg Minuskin.
I have been studying and practicing Italian Hand for the past three years. Never has a script been so mysterious and elusive. It is slow to reveal its secrets. Ambrose Heal in his book English Writing Masters and Their Copy Books, admits that the path to studying this hand remains largely untrodden. Yet through dedicated study and many conversations with Don Marsh, who I consider to be the greatest historian of Italian Hand, I have finally started to unveil the mysteries of this hand. What a ride this has been. In July, I taught my Poetic Pen class to 100 students in Franklin, Tennessee. This page was demonstrated during the class.
Friday, July 31, 2015
Earlier this month I wrote about my portfolio purge. That has been a good and welcome change for me and begun the process of freeing my mind for new work. The purge started as a result of reading The Life Changing Magic of Tidying Up by Marie Kondo.
Friday, July 10, 2015
When I teach classes I carry a large leather binder full of my work to show my students.
Thursday, June 18, 2015
I have a natural curiosity when it comes to art supplies. This has cost me dearly. I have invested way too much money in supplies that have not been suitable for my purposes. But sometimes my curiosity works out well! I invested in some Strathmore 400 Series Drawing Paper for sketching but quickly became impressed with its capabilities for ink. It is smooth 80 lb. paper and recommended for dry media.
Thursday, June 4, 2015
Early on in my penmanship journey I was instructed to have my Spencerian Script conform to someone else's style. I tried hard to do that and for years I tried to conform my writing to that of A.D.Taylor or Daniel Ames. They both have tighter spacing and slightly rounded turns in their script. But in my mind, I always wondered if this Spencerian is handwriting..why am I trying to copy someone else's script? I know others have the same question as I get lots of email inquries with similar thoughts. Somewhere along the line, I added English Roundhand into my studies. The forms of George Bickham were so appealing to me. I loved his freedom, I loved his expression. Now, when I work on a piece that is to be my signature script...it is neither Roundhand or Spencerian but a blend of both.
Sunday, May 31, 2015
Creating custom pen holders was something that Chris and I were doing to take care of students in my classes. But we have been overwhelmed with requests for special painted designs and colour combinations. I love the ideas that have been coming from the customers. The designs are stretching me. We currently have a 12-15 week waiting list to get the pens done and shipped. Hoping to bring some to IAMPETH this year as well. Here are a few recent pens. I love the bunny pen!!!